Take advantage of this TOP opportunity!
Being human means being conscious and responsible.
Dr. Viktor Frankl | Austrian neurologist and psychiatrist (1905-1997)
In November 2018, BURN-IN shows five young Iranian artists who confidently and fearlessly process their own personal, explosive experiences in their art and thus provide us with meaningful, thought-provoking, statements.
Gleaning | 3 days | 57,500 steps | millions of impressions inhaled | dreamlike scenery - no matter if it's rain or sunshine | Oct. 5-7th 2018 | biennale runs until the end of November!
https://www.labiennale.org/en | https://labiennale2018.at
You can often escape from others, but never from yourself.
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In a constantly evolving society, moral values often disappear despite beneficial discoveries and knowledge. Indifference and violence are on the rise. Both to others and to themselves. Escape often seems the only possible response.
Consolidated BURN-IN power from 8 exhibitions by 6 artists from the USA, Spain, Switzerland and Austria.
In the current, international June exhibition, the contemporary Viennese gallery boldly curates contrasting positions, creating the coherent juxtaposition.
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In the mirror we recognize only what we see.Anke Maggauer-Kirsche, German poet
Faith moves mountains.
Matttew 21, 18-22 | The Bibel
In September BURN-IN enters with the current exhibition Dok3na UMA and the cityscapes unknown areas, the deeply rooted beliefs. They represent an inner "map" of each individual and are the result of the experienced and felt. Mostly unaware, stored in a "limitless library".
doctrines
Limits
Perspectives
Horizons
Die aktuelle, rollierende Ausschreibung wendet sich an empathische Seismographen und Nonkonformisten, die gemeinsam mit BURN-IN ein zündendes Statement Ihrer Arbeit setzen, in der Galerie ausstellen und multi-medial publizieren möchten.
Wir freuen uns auf Ihre Kontaktaufnahme und online-Anmeldung. Plus: BURN-IN ART AWARD.
BURN-IN is very happy about the sympathetic newcomer! Welcome aboard!
The art project SAMENBANK, "preserves" botanical fruit stalks, whose dried shells often take on curious shapes. In this way, Erben makes them appear as sculptures. He is concerned with the formal aspects and the inherent eroticism of form therein. His formal language is found not only in the plant objects of his choice, but also in the animal human.