The Spanish artist Aurora CID, a master of sculptural extraction, completes the exhibition. She moved from architectural geometry to natural geometry, affirming the transition from computational geometry to random geometry. The artist oscillates between the geometry of architecture and the geometry of nature, playing with sameness and difference, calculation and chance, continuity and variation, dynamism and tension, thus creating a unique S Extraction the exhibition. She moved from architectural geometry to natural geometry, affirming for herself the transition from computational geometry to random geometry. The artist oscillates between the geometry of architecture and the geometry of nature, playing with sameness and difference, calculation and chance, continuity and variation, dynamics and tension, thus creating a unique atmosphere that is impossible to escape. Mandelbrot's fractals are an elementary component of her work. In the exhibition, CID shows us musical geometries in their most beautiful form and presents the works Symphonies 1 - 4 and the sculptures Los Pliegues del Tiempo and Plegados I + II. An eloquent superwoman with a sense of mathematical purism and an interdisciplinary thinker in the fields of art and science. A Spanish role model of a very special kind.